You know it when you see it.

To be clear from the outset, I’m a Movement Director. I am not a Choreographer.

That is not to say that, if you needed a piece of 16th Century dance within a theatre production, I couldn’t do a whole shed load of research and come up with something appropriate and (although I say so myself ) pretty damn good. However, If you are working on a Dance piece I could do some dramaturgy work and maybe tinker, but the person you require is a choreographer.

I am regularly in awe of the grace and athleticism of dancers. Less so with the storytelling contained within dance generally. I am now preparing for an avalanche of abuse from folks who love dance and feel I’m just missing the nuance … or looking for the wrong stuff within it … That I’m blind or stupid or heartless.

To all that I counter … Maybe so.

From the vantage point of an interested fellow professional … someone who shares a similar but distinctly different skill-set … , to use an analogy which came to me while wandering in the countryside considering how to frame this blog, someone who understands the terrain but knows full well he wouldn’t last five minutes if he had to try and survive out there on his own … from there I know that I miss stuff, and I am happy to learn from anyone who will teach me. After all, every day is a school day.

Some years ago I had the opportunity to see a production of Swan Lake. I’d been to other productions of this ballet and enjoyed, to varying degrees, the staging and the fluidity of the performers.

This one however was a production choreographed by a guy called Mats Ek.

If you haven’t seen his work and you get the chance, do it.

His ability to find and transfer story through congruity and incongruity, through attraction and repulsion is breathtaking and speaks with a voice that is simultaneously wholly the dancers, wholly his own and wholly the audiences. I could go on.

Since then I have seen all I can of his stuff. It’s one of the very few things that make me think I’ve been wasting my time on all this other stuff I can do, when clearly I should have been …. Ah, but that way madness awaits.

This vid is not from that production. It is of some work by Hubbard Street Dance Chicago … But Mats choreographed it and … well, just watch it and see.

Brilliant work by MA Movement graduate Sita Thomas with fantastic contributions from MA Movement graduate Diane Alison-Mitchell

To be …. Or not to be … an actor

This is funny, and pretty much the way things are for much of the acting fraternity in the UK.
I wonder if it’s like this in the US?

The mindless musings of a nearly jobbing actor.

It’s strange to be writing to the world ….. virtually …. coz talking to large groups of people has been my desire for a long time.

I’m James. And I’m a jobbing (nearly) actor, living (nearly) in London and attending auditions when I get the opportunity.

So far it would be easier to call me creatively unemployed.

I don’t leach off the state, so you don’t have to get offended and stop reading straight away.

I take on temporary posts doing anything to make ends meet. They rarely seem to overlap.

I wanted to start this blog so that I could do two things.

Firstly to chart the meteoric rise to fame and international success of an ordinary bloke from a small town no one will have heard of and secondly to provide a guide for fellow actors and interested parties to the real life goings on within this buisness…

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